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In the live-action adaptation of \"A Record of a Mortal's Journey to Immortality,\" the effort put into portraying the protagonist is truly commendable. Both the storyline and visuals are crafted with meticulous care.
Upon arriving at the Seven Mysteries Sect, Han Li encounters Master Mo. Under Master Mo's guidance and after numerous trials, Han Li finally matures, avoiding possession. The formerly naive Han Li learns the art of growth.
Master Mo's eccentricity and his appreciation for talent are portrayed remarkably well. True masters often teeter between madness and pride. When bidding farewell to Han Li, besides urging him to enjoy the scenery, he advises him to flee if unable to confront challenges.
As Han Li's first master, Master Mo's morally ambiguous style significantly influences Han Li, marking a crucial turning point.
Subsequently, Han Li ventures into the world of cultivation. He first visits the Mo Clan to find a cure, then tests his spiritual roots in preparation for joining the Immortal Sect.
As the story's pace quickens and more characters appear, shortcomings begin to surface.
As a male-oriented fantasy drama, female characters mostly play supporting roles. However, even supporting roles require careful selection to shine.
The female supporting roles in \"A Record of a Mortal's Journey to Immortality\" are poorly designed. Apart from Zhao Qing of the Mo Clan, whose soft radiance is quite pronounced, the other two feel quite ordinary.
The portrayal of the maid who secretly admires Han Li is quite faithful. Though reserved, her eyes are steadfast, especially when in Han Li's presence.
Following Han Li's detoxification, he officially enters the world of cultivation. Immediately, he encounters Miss Yan Ruyan of the Yan Family Fort in a dispute with a wandering cultivator, who is taken away by the Grand Elder of the Nangong Sect, also known as Elder Nangong Wan.
Standing next to Nangong Wan, Yan Ruyan's acting lacks depth, her facial expressions stiff, almost indistinguishable.
Liu Kejun, who plays Yan Ruyan, previously portrayed Ye Hongyu in \"Ever Night 2,\" also playing the cold Ye Hongyu quite woodenly.
Wearing red attire does not automatically make one Ye Hongyu. Despite her aloof demeanor, Ye Hongyu exudes an aura that is anything but rigid. While Meng Ziyi made a good start, the second part failed to follow through.
In \"A Record of a Mortal's Journey to Immortality,\" she faces Nangong Wan's questioning, delivers lines, but lacks any human touch, giving off an AI-like sensation. Nangong Wan even praises her for being clever.
The actress's appearance is impeccable, with a beautiful and elegant air, but a closer look reveals her shortcomings.
Despite this, Jin Chen, who plays Nangong Wan, doesn't fare much better. As an elder of the Concealed Moon Sect and a master-level character, she lacks some gravitas. This presence suits a senior sister, but when others call her Master, it's not convincing enough.
She moves gracefully, both in appearance and action, with an air of mystery fitting for a cultivator. The issue lies more in her facial features.
Jin Chen has recently appeared slightly plumper, lacking the lean sharpness seen in \"Joy of Life 2,\" making her face appear more swollen and stiff.
However, there are still noticeable moments, with some close-ups revealing visible apple cheeks, maintaining an indifferent expression throughout.
Her prominently high nose combined with an overly petite face creates a disproportionate overall look.
Jin Chen indeed needs to take better care of herself. Being too lean can make her look frail on screen, especially in costume dramas.
Jin Chen's portrayal of Nangong Wan received mixed reviews before airing. Some praised her combat scenes and suitability for the role.
Others felt she didn't measure up, believing the original Nangong Wan should have been regal, with a rounder face, exuding grace and charm.
If such an image is true, then an actress with a rounder face, tall and slim stature, and a strong aura would be appropriate.
Nevertheless, Nangong Wan's role is destined to be limited. Her influence is unlikely to be significant in the future.
Similarly, Liu Yan faced the same issue. In the plot of \"Yellow Maple Valley,\" Liu Yan, in a red dress, stands out, but her facial expressions are noticeably unnatural, cheeks sagging on both sides.
Although aging causes collagen loss and affects the face, there's a clear distinction between natural and unnatural aging.
Fortunately, Liu Yan's performance isn't particularly pronounced, still watchable. Compared to those whose faces are frozen due to technology, it's scarier to lack expression at a young age.
Upon the introduction of Chen Qiaoqian, played by Zhao Xiaotang, there's an overwhelming sense of familiarity. Upon careful reflection, it matches \"Spring Flower Flame\" character Luo Mei, with similar appearances.
With a high ponytail and two strands of hair in front to accentuate the forehead, her eyes have never shown any variation.
The light in her eyes is bare, devoid of any emotional tones. Except for changes in intonation, her acting seems meaningless.
During \"Spring Flower Flame,\" her acting was heavily criticized.
Zhao Xiaotang's appearance is indeed attractive and ranks highly in entertainment. She exudes a strong sense of fashion and excels in singing and dancing.
However, as a showbiz transformation into acting, she needs to improve her acting skills. In television dramas, facial appearance is not the only characteristic, and acting is the only way to win.
Zhou Jieqiong also rose from an audition, with years of ridicule about her acting skills, solidifying her reputation in \"Little Lane Home.\" So you still need to practice acting.
If we're discussing whether looks or acting is more important, then acting is truly the key. Although Jin Chen and Liu Yan's faces are stiff, their bodily movements and habitual reactions during acting are acceptable.
It's really unnecessary to take drastic measures against your face. Especially for female stars who are already good-looking, it's best to keep the original and better than yourself.
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